tag:blogger.com,1999:blog-55296043007616899142024-02-07T05:05:55.593+01:00SPIELART THEATER FESTIVAL BLOGDas Blog zum Theaterfestival SPIELART.
Texte, Materialien, Hintergründe.Walter Delazerhttp://www.blogger.com/profile/08034142448228526381noreply@blogger.comBlogger51125tag:blogger.com,1999:blog-5529604300761689914.post-326983637149062942011-12-05T19:12:00.001+01:002011-12-05T19:15:20.213+01:00Festival is over<span style="font-weight: bold;">Tilmann Broszat, Leiter des Festivals:</span><br />„Spielart ist so jung wie nie, das konnte man in den vergangenen 17 Tagen deutlich sehen, am Publikum ebenso wie an unseren Künstlern. Aus den Netzwerken, die seit Jahren ausdauernd geknüpft wurden, erwachsen ganz neue Aspekte und Perspektiven. Und dass es Gäste gibt, die uns seit so vielen Jahren die Treue halten und das Bild dieses Festivals kontinuierlich mitprägen, ist wunderbar. Spielart ist ein Organismus, der sich auf einer stabilen Basis ständig erneuert. Darüber freue ich mich ganz besonders.“<br /><br /><span style="font-weight: bold;">Münchens Kulturreferent Dr. Hans-Georg Küppers stellt fest:</span><br />„Spielart hat zum 9. Mal bewiesen, dass ein Münchner Festival für neue Theaterformen nicht nur ein Präsentations-, sondern vor allem auch ein generationenübergreifender Diskursort mit sozialer und internationaler Relevanz ist. Es ist fest verankert in München, seinen Institutionen und Szenen, es ist aber auch ein kultureller Global Player auf hohem Niveau - genau wie die beiden Spielmotor-Partner, das Kulturreferat und die BMW Group. Wir können gespannt sein, wie uns Tilmann Broszat, Gottfried Hattinger und ihr Team zum zehnjährigen Jubiläum fordern werden."<br /><br /><span style="font-weight: bold;">Dr. Thomas Girst, Leiter BMW Group Kulturengagement: </span><br />„Zukunft braucht Herkunft‘, hat Odo Marquardt einmal bemerkt. Im Jahr 2012 feiert die BMW Group vierzig Jahre kulturelles Engagement. Auch wenn das Unternehmen mittlerweile von Mexico City bis Melbourne und von New York bis Neu Delhi kulturelle Partnerschaften langfristig initiiert, so bleiben Kooperationen in unserer Heimatstadt München für uns essentiell. Wenn es sich dabei um ein derart herrliches, internationales Theaterfestival wie Spielart handelt, das alle zwei Jahre die ganze Welt in München begrüßt, dann freuen wir uns umso mehr über diesen anspruchsvollen Beitrag zum interkulturellen Austausch.“Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-57828034102999745752011-12-04T14:31:00.004+01:002011-12-04T14:45:49.830+01:00Laboratorische GemeinschaftenFast drei Wochen lang war DO TANK das Labor des Festivals. Internationale Künstler verschiedener Disziplinen fanden sich zu einer temporären Gemeinschaft zusammen und entwickelten zahlreiche Projekte - politisch korrektes Schlafen, Schwitzen im Dampfbad, Wal-Tänze, öffentliche Interventionen und utopische Diskussionen.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisHZN5LNDKjtcwYQTlBp5YseOOh1V5XMnyybxwMTfHP68kmJ1IWzhIThu7-wlnzEnq3Q3G8a8OhxhmQ42xagowYsTxKK52kq56JSUBV110zw7q8XImxh69oMMVrH6X6VtO08QdynHiOuM/s1600/Dotank8.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisHZN5LNDKjtcwYQTlBp5YseOOh1V5XMnyybxwMTfHP68kmJ1IWzhIThu7-wlnzEnq3Q3G8a8OhxhmQ42xagowYsTxKK52kq56JSUBV110zw7q8XImxh69oMMVrH6X6VtO08QdynHiOuM/s200/Dotank8.JPG" alt="" id="BLOGGER_PHOTO_ID_5682267493193880978" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLn8vJ0QM1zPjO50y_HDv0jbRf8R-O1pXzlgOtOUt3HRXz9KoqCSpbJlKaMdfNJbhj-L0jVo4cAoofZm1LBwZTKT1UVCPdsnHkUgi7MvjXEEwUXpWZ0WGWv9339nHIgltwufxqZoo4Jgk/s1600/Dotank7.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLn8vJ0QM1zPjO50y_HDv0jbRf8R-O1pXzlgOtOUt3HRXz9KoqCSpbJlKaMdfNJbhj-L0jVo4cAoofZm1LBwZTKT1UVCPdsnHkUgi7MvjXEEwUXpWZ0WGWv9339nHIgltwufxqZoo4Jgk/s200/Dotank7.JPG" alt="" id="BLOGGER_PHOTO_ID_5682267475320847906" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxfPxFkUo5LiGJvavo1gxS7Df_fN4HJMTRQllwUNKQPJWdE4HR7xkb_mW0DpqmuTySR-UHI_rWqpcArkyoKxgwAaIW5knclY2z_6KVGXcqXvCRVQX3WZJnnZpt2dlGoDNehQ3kpY1_SvA/s1600/Dotank6.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxfPxFkUo5LiGJvavo1gxS7Df_fN4HJMTRQllwUNKQPJWdE4HR7xkb_mW0DpqmuTySR-UHI_rWqpcArkyoKxgwAaIW5knclY2z_6KVGXcqXvCRVQX3WZJnnZpt2dlGoDNehQ3kpY1_SvA/s200/Dotank6.JPG" alt="" id="BLOGGER_PHOTO_ID_5682267472280129810" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgfeNPAR-5SAJWAfwkGzCQyTn6mf5CqCePrZBKUBZVXxczgHLAKXRDKmLTPkJFT_9gmTlhwsk440KrJMVnfarJoCg76HTaIYgCf_Boox3lTXbWAyxwDZoZUUFmIWv6oN-aHwR9pId55Es/s1600/Dotank5.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgfeNPAR-5SAJWAfwkGzCQyTn6mf5CqCePrZBKUBZVXxczgHLAKXRDKmLTPkJFT_9gmTlhwsk440KrJMVnfarJoCg76HTaIYgCf_Boox3lTXbWAyxwDZoZUUFmIWv6oN-aHwR9pId55Es/s200/Dotank5.JPG" alt="" id="BLOGGER_PHOTO_ID_5682267467412859906" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi78MN23ODLLWAOt4rKLwg0FD8NcheD6Ny6s7d3F75HePGwqbZC1-32u6cZc0wBOlx8FGQAzeWQ49KDEEXFzD-bGABC6disbvvLC2mLgHfnFyj6Sl9cVR3BYC13N_SfxOK2YLjdsdZLtls/s1600/Dotank9.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 132px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi78MN23ODLLWAOt4rKLwg0FD8NcheD6Ny6s7d3F75HePGwqbZC1-32u6cZc0wBOlx8FGQAzeWQ49KDEEXFzD-bGABC6disbvvLC2mLgHfnFyj6Sl9cVR3BYC13N_SfxOK2YLjdsdZLtls/s200/Dotank9.JPG" alt="" id="BLOGGER_PHOTO_ID_5682267502318213586" border="0" /></a><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMrWI9ncR2BtbA2nXdxyQ8i0By5mLowYYhSz7SJs1dgg7miJB8sZdc_cIVPeW3nKYs1MTAoK9xNwE_HdfIGXf4V-5irDXguQ1T7VM1pQbZtv9mIf6Vs6w1AViMCmTommFVl2bXOGPTQ4M/s1600/Dotank4.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMrWI9ncR2BtbA2nXdxyQ8i0By5mLowYYhSz7SJs1dgg7miJB8sZdc_cIVPeW3nKYs1MTAoK9xNwE_HdfIGXf4V-5irDXguQ1T7VM1pQbZtv9mIf6Vs6w1AViMCmTommFVl2bXOGPTQ4M/s200/Dotank4.JPG" alt="" id="BLOGGER_PHOTO_ID_5682265704754291970" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_YPyGqFaQX2D0H2PJduY4qPZ3lHMc07r-67zRkgMxBobldG5N_tBnVI9c61xaDzTtCvPgZ52qnkyZ2Rvm8cCRXwjAhclQ2jPeA4nLnvhti8mSAx6FHkZk4C8rkEDmHv6FmFl47oA4e14/s1600/Dotank2.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_YPyGqFaQX2D0H2PJduY4qPZ3lHMc07r-67zRkgMxBobldG5N_tBnVI9c61xaDzTtCvPgZ52qnkyZ2Rvm8cCRXwjAhclQ2jPeA4nLnvhti8mSAx6FHkZk4C8rkEDmHv6FmFl47oA4e14/s200/Dotank2.JPG" alt="" id="BLOGGER_PHOTO_ID_5682265686718261458" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnOGHG7wC54GnoWyIoyM63_XqJnurqdWWYZBpaDhSUqMbJrbWPoGWI9MurU2djSArhKoY5EeffTLBQ8qkImC2wH9EM9TDCV-Om3euaDETHjaODvCl7ISrG5SHsMe21G6XEaT0I_j6qy60/s1600/Dotank1.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnOGHG7wC54GnoWyIoyM63_XqJnurqdWWYZBpaDhSUqMbJrbWPoGWI9MurU2djSArhKoY5EeffTLBQ8qkImC2wH9EM9TDCV-Om3euaDETHjaODvCl7ISrG5SHsMe21G6XEaT0I_j6qy60/s200/Dotank1.JPG" alt="" id="BLOGGER_PHOTO_ID_5682265683580685634" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrZ7g6JeX36Ud2KTlVbxgGmNZf3G4z4fsU2Fawy0oNuy6XFD9h1UE8ROBuIPLPOybN8eFOZYtfJSKmXPZgQQwo0qXKM04pwJc2oIbrKJ9g7vivB6bPI4lUIO9jOp4OkhmWdlwSpP0SNLU/s1600/_MG_0742.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 133px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrZ7g6JeX36Ud2KTlVbxgGmNZf3G4z4fsU2Fawy0oNuy6XFD9h1UE8ROBuIPLPOybN8eFOZYtfJSKmXPZgQQwo0qXKM04pwJc2oIbrKJ9g7vivB6bPI4lUIO9jOp4OkhmWdlwSpP0SNLU/s200/_MG_0742.JPG" alt="" id="BLOGGER_PHOTO_ID_5682265679506623266" border="0" /></a><br />Fotos: Simon EmmerlichMiriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-5863585272039702282011-12-02T12:16:00.001+01:002011-12-02T12:20:26.626+01:00You take what you want from Theatre<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZd1u_kVqm2QA62NVNpr0FVKt_dYHgpnnzOiPYTjgkDcRk5hmj3gzGmrN145iTXodu6QeKfBPgADoYxPuTDN6ue2X62RYIx20RbFEwj1sUYXy-Ht4zmxnJmsTsk-ERb3VzduFeOr2fxls/s1600/Beutler_1Songs_1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZd1u_kVqm2QA62NVNpr0FVKt_dYHgpnnzOiPYTjgkDcRk5hmj3gzGmrN145iTXodu6QeKfBPgADoYxPuTDN6ue2X62RYIx20RbFEwj1sUYXy-Ht4zmxnJmsTsk-ERb3VzduFeOr2fxls/s320/Beutler_1Songs_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5681489251979612770" border="0" /></a>If you need to deconstruct something to the point of kitty litter then please do it with a little care and a little context. <p class="MsoNormal">It seems rare for someone who regularly swallows, digests and regurgitates performance art to taste it. For once my experience of a performance was perhaps, if I can admit it… a little personal. I cringe at this compassion (which is telling).</p> <p class="MsoNormal">Perhaps it’s because I make things like this too?</p> <p class="MsoNormal">One-woman-shows-at-angst-o’clock. </p> <p class="MsoNormal">But tonight this chick made something I have been trying to do for so long and it gives me hope and confidence that a single woman on a stage with a microphone is not only legitimate, but vital.</p> <p style="font-style: italic;" class="MsoNormal">Von Phoebe Marsh</p><p style="font-style: italic;" class="MsoNormal"><br /></p><span style="font-style: italic;"><br /></span>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-22928012243047888342011-12-01T18:40:00.004+01:002011-12-01T18:52:35.140+01:00How to not do things with words<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66H8EMzWPfYyMXIERmNIUKejwrSUFsqyR50u4jEsCC5laK2Qy-exWD4oRus-Y81J2EwRcYq_h0ZVfqzKum9qIjBMyb8Quiq7bGspkz9NQxdxcbBdMyYGoHOjJ0RZffLnE_2dKeBRpJeI/s1600/HegemannKrottenthaler_+Lyrics+2_Foto+Kathrin+Krottenthaler.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 320px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66H8EMzWPfYyMXIERmNIUKejwrSUFsqyR50u4jEsCC5laK2Qy-exWD4oRus-Y81J2EwRcYq_h0ZVfqzKum9qIjBMyb8Quiq7bGspkz9NQxdxcbBdMyYGoHOjJ0RZffLnE_2dKeBRpJeI/s320/HegemannKrottenthaler_+Lyrics+2_Foto+Kathrin+Krottenthaler.jpg" alt="" id="BLOGGER_PHOTO_ID_5681219150127214610" border="0" /></a><span style="font-family: arial;">The visual layering of different projections on stage and the many simultaneously spoken texts in the piece Lyrics only have one goal: They should overwhelm the audience so much that the message of each passage gets blurry. The resulting confusion is the concept. It is the same feeling the teenagers on stage have. How can we still rebel against something when our parents have already done it? How can we create open spaces for ourselves when there are no real restrictions and everything is permitted? How can we cope with this flood of possibilities? </span><p style="font-family: arial;" class="MsoNormal">These feelings are not new, thinking about Bret Easton Ellis’ novel "Less Than Zero" e.g. Lyrics’ lacks the courage to take a stand though but prefers a disguise, even if it opens up discourses in the first place. Too bad, because those are exciting!</p><span style="font-family: arial;"> </span><p style="font-style: italic; font-family: arial;" class="MsoNormal">Von Constantin John</p><p style="font-style: italic; font-family: arial;" class="MsoNormal"><br /></p> <p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">As a Mentor and formal advisor, René Pollesch offers Helene Hegemann the opportunity to find a way to express herself.<span style="mso-spacerun:yes"> </span>The young and progressive energy she inherits is shown on stage by using Polleschs typical style: a stream of words - written and told, the mixture of media and the impossibility of the audience to understand the whole piece. We are witnesses of a collaboration, which shows the fears of a young generation fraught with uncertainty, illustrated by using the most important parts of a well going party night: good music, friends, cigarettes, playfulness, hilarity and a bit of seriousness. The honesty and frankness Hegemann uses to talk about her generation makes her vulnerable to be attacked by critics, but also makes her a leader of a doubtful generation. Let’s see if she can lead us the way out of the fog of uncertainty. </p><span style="font-family: arial;"> </span><p style="font-style: italic; font-family: arial;" class="MsoNormal">Von Jan Beller<br /></p><p style="font-style: italic; font-family: arial;" class="MsoNormal"><br /></p> <p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">The actor´s biggest reward is applause. One might think. But Helene Hegemann, this intellectual teenager-Janis Joplin, does not even appear on stage at the end of her play, although she is not only the writer and one of the directors – the other one is Kathrin Krottenthaler – but also one of the actors. The other performers do face the audience. But they seem bored and quite uninterested in the reaction of the spectators. One could even get the impression that they are making fun of them. And this after a performance which was in large parts acoustically incomprehensible, amateurishly acted and nearly without any story. </p> <p style="font-family: arial;" class="MsoNormal">The behavior of teenagers, which brought our professor to the question: Do they even want to be liked? Well, everyone wants to be liked, even and especially teenagers. But this group does not want to make a great effort for it. Maybe because they cannot fail when they do not even try. </p> <p style="font-family: arial;" class="MsoNormal">But it is not important whether the bad quality is intended or results from a lack of talent. This is just a group of teenagers doing bad and unentertaining theatre. And the fact that they can do that is the big message of their performance. It´s not theatre, but a comment on it. </p> <p style="font-style: italic; font-family: arial;" class="MsoNormal">Von Christina Lenzen</p>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-7827051488577847042011-12-01T18:28:00.002+01:002011-12-01T18:32:27.448+01:00Who never stumbles has no place to fall...<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_iRGUZs_WGQ0W_NKjEp1Mm-zkH8DlB9AEQY1-3u69PrZMLYHkTQCcM4e7CaBxa1K1r5-DAEyxxswkvyoGleCwvSjrYzVvEtUpeBu-L-L4PKlJFwogdDqSKsGhQbdBTbAWxr_qj5qA-4M/s1600/small+persons.jpg"><img style="cursor:pointer; cursor:hand;width: 312px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_iRGUZs_WGQ0W_NKjEp1Mm-zkH8DlB9AEQY1-3u69PrZMLYHkTQCcM4e7CaBxa1K1r5-DAEyxxswkvyoGleCwvSjrYzVvEtUpeBu-L-L4PKlJFwogdDqSKsGhQbdBTbAWxr_qj5qA-4M/s320/small+persons.jpg" alt="" id="BLOGGER_PHOTO_ID_5681213455462759970" border="0" /></a><br /><br /><p class="MsoNormal">The performance started while everybody was waiting. Creating a new puppet-friend out of clay. Creating a new population. Whistling together created a connection with the place and the other spectators. But then the Mother came to destroy.</p> <p style="font-style: italic;" class="MsoNormal">Von Daria Lo Sapio</p><p style="font-style: italic;" class="MsoNormal"><br /></p><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj06T9O8imt2muDkPyQmc5lssAWQITcoLi78lYRCVlNot5UPsnxeJwBSebw-pDOiAF6NGl6unVcRcA_yOfLeOA5CGw9FJ1kCCAu_BqW_3iB501xbyO6wXqr3UOuLHRhdxPBnQ67Cuw_t4E/s1600/Who+never+stumbles.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj06T9O8imt2muDkPyQmc5lssAWQITcoLi78lYRCVlNot5UPsnxeJwBSebw-pDOiAF6NGl6unVcRcA_yOfLeOA5CGw9FJ1kCCAu_BqW_3iB501xbyO6wXqr3UOuLHRhdxPBnQ67Cuw_t4E/s320/Who+never+stumbles.jpg" alt="" id="BLOGGER_PHOTO_ID_5681213450830960818" border="0" /></a></p> <p class="MsoNormal"><br /></p><p class="MsoNormal">The atmosphere evolves very differently during the show, first very subtly, a delicate interaction of light and shadow, sound and silence. Then there follows a furiously aggressive outburst destroying everything in its way. The whole experience ends with a single person sitting on stage almost naked, wearing a pagan-like mask made of dried leaves. The use of light and shadow in combination with sounds suggests ancient rituals and divinity.</p><p class="MsoNormal"><span style="font-style: italic;">Von Henriette Hufgard</span><br /></p>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-4085263937849561722011-12-01T14:00:00.004+01:002011-12-01T14:13:20.717+01:00"I thought we've been playing fighting"<span style="font-family:arial;">Boxes are on stage. The playground is set. The cave men appear together with beards on their face, trainers on their feet. They sit, they yell, they sing and they play fighting. I laugh, watch and remember those times. They take us back to<span style="font-size:130%;"><span style="font-weight: bold;"> childhood</span></span>, to our conflicts and to those small moments that we treasure with a sweet-sour taste. That is exactly what you get from Jake and Pete: The performance is honest, human and creative. It leaves you thinking. I couldn’t ask for more.</span><span style="font-family:arial;"> </span> <p class="MsoNormal" face="arial">Von Bartosz Bandura </p><span style="font-family:arial;"> </span><p class="MsoNormal" style="font-family:arial;">A piece of physical performance which contains a lot of symbols and songs. Does simple<span style="font-size:130%;"><span style="font-weight: bold;"> physical </span></span>action can become an emotional meaningful expression?<br /></p><p class="MsoNormal" style="font-family:arial;"><br /></p> <p face="arial" class="MsoNormal"> </p> <p face="arial" class="MsoNormal">Von Karol Pruciak</p><span style="font-family:arial;"> </span><p face="arial" class="MsoNormal">“Siblings. Even if we do not know how much you bothered ...<br />When the danger of a second coming will not hurt ...<br />We tease each other, but others cannot,<br />Because I do not love us like we do each other ...<br />And that's our strength.”</p><span style="font-family:arial;"> </span><p face="arial" class="MsoNormal">Two brothers...! Boxes...! Sound...”Aaaaa!” ² and... <span style="font-size:130%;"><span style="font-weight: bold;">a hair dryer</span></span></p><span style="font-family:arial;"> </span><p face="arial" class="MsoNormal">This is a beautiful story about two brothers, which try to convince us, that their love is much deeper as they show.<br /></p><p face="arial" class="MsoNormal"><br /></p> <p face="arial" class="MsoNormal"> </p><span style="font-family:arial;"> </span><p face="arial" class="MsoNormal">Von Josephine Sautier</p><span style="font-family:arial;"> </span><p face="arial" class="MsoNormal">And even if the world grows old, the human remains a child…<br /></p><p style="font-family: arial;" class="MsoNormal">In their “play” - in all his impacts - Jakob and Pieter Ampe abduct us in the more or less distant, well-known world of childhood, of siblings’ relationship. With meticulous accuracy in the matter of “building bricks”, supreme creativity in the hiding of thoroughly full-grown bodies, remarkable skills in the using of their vocal cords (let’s say from a certain dissonance to a special treat of “life-music-presentation in<span style="font-weight: bold;font-size:130%;" > two voices</span> plus special effects as sound changing-box-installation”) they let us experience endless fun. No politics, no moralizing, no criticism. Instead all the more of subtle humor - a welcome alternation to the occasionally heavy stuff we get presented by the Spielart Festival!<br /></p><p style="font-family: arial;" class="MsoNormal"><br /></p><p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">Von Katarzyna Baran</p> <p style="font-family: arial;" class="MsoNormal">From the moment that brothers Ampe appeared on the stage they were in hundred percent present here, now. They didn't have to 'act' in some exaggerated way and create characters. Peter and Jakob represented this kind of actor's <span style="font-size:130%;"><span style="font-weight: bold;">presence</span></span>, which is absolutely required to keep performance on the professional and interesting level.</p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal">Collaboration with boxes on the stage showed perfectly differences between body flexibility and stiff geometry of wooden object and how the body is trying to adapt to limitations.<br /></p><p style="font-family: arial;" class="MsoNormal"><br /></p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">Von Katarzyna Gocal</p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal">The performance is the bodily story about friendship. The body language turns out to be a universal medium, which is clearer to the audience than anything else. Body speaks stronger than any intellectual messages.</p><p style="font-family: arial;" class="MsoNormal"><br /></p> <p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">Von Elena Carr </p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal">It was fun. They were there, on stage, being children again – maybe not even again – being young boys somewhere between playing, trying out, experiencing possibilities, annoying each other, <span style="font-size:130%;"><span style="font-weight: bold;">fighting</span></span> and finding each other again – being best friends again.</p><p style="font-family: arial;" class="MsoNormal"><br /></p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal"> </p> <p style="font-family: arial;" class="MsoNormal">Von Daniela Komedera</p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal">Performers built dramaturgy by relationship between brothers and between voice and movement. On the beginning they screamed.<span style="mso-spacerun:yes"> </span>It was without any<span style="font-size:130%;"><span style="font-weight: bold;"> reason </span></span>to do it- like children, who use this kind of expression, but after, they very often do not remember why they did it.<br /></p><p style="font-family: arial;" class="MsoNormal"><br /></p><span style="font-family:arial;"> </span><p style="font-family: arial;" class="MsoNormal">Von Sandra Dreher </p><p style="font-family: arial;" class="MsoNormal">What is it to be siblings? It is definitely not easy:<span style="font-size:130%;"><span style="font-weight: bold;"> Innocent </span></span>teasing turns into a physical competition of the question who is the stronger one; An attempt of emotional expression from the one side meets sarcastic refusal from the other one.<br /></p><p style="font-family: arial;" class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFh6aj9wdNe-Yu7jCErhFksxHfWr5m3ueElEcQ63X2kX6ZURqWEJ4iw2-dgkmQOpEz_QRXOyHZizzHd1yVIMVUCy-lD2yjv2S_3C2fFmoolT8bnDHvjcgRjIhBQJfz_5uUwchtv19ELE8/s1600/Jake+and+Pete%2527s.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 230px; height: 320px;" 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Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >“Theater is a transformation of reality into </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >fiction”. I had to</span><span style="Arial","sans-serif";mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" > think a lot about this sentence, said by</span><span style="Times New Roman","serif";mso-fareast-Times New Roman";mso-ansi-language: EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >Sanja Mitrovic at the Social Fiction Happening.<b> <span style="font-size:130%;">Tr</span></b></span><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" ><span style="font-size:130%;"><b>ansforming reality into fiction</b></span> means</span><span style="Times New Roman","serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >transform reality into a possibility of protest. The fiction of a rea</span><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" >lity allows a better one.</span><span style="Times New Roman","serif";mso-fareast-Times New Roman";mso-ansi-language: EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >I, too, like to believe in this utopia. Another sentence of Mitro</span><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" >vic was, as an artist, she wants to have</span><span style="Times New Roman","serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >an impact on our society like the suicide b</span><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" >ombers of 9/11. How far can you go as a performer to</span><span style="Times New Roman","serif";mso-fareast-Times New Roman";mso-ansi-language: EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US" >have an impact on life? This question seems to be asked by m</span><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US" >any performances at the SpielArt</span><span style="Times New Roman","serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" > </span><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US" >Festival.</span> </p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-style: italic; font-family:arial;"><span style=";font-size:85%;" lang="EN-US" >Von Melanie Pyschny</span></p><p class="MsoNormal" style="mso-margin-top-alt:auto;margin-bottom:0cm;margin-bottom: .0001pt;line-height:normal;mso-layout-grid-align:none;text-autospace:none"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" 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style="Arial","sans-serif";mso-fareast-mso-fareast-theme-font: minor-latin;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language: AR-SAfont-family:";font-size:78%;" lang="EN-US" >Sanja Mitrovic's talk <q>Theatre as the existing – theatre as the possible</q><br /></span></p><p class="MsoNormal" face="arial" style="margin-bottom: 0.0001pt; line-height: normal; "><span style=";font-size:85%;" lang="EN-US" ><br /></span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style="Arial","sans-serif";mso-ansi-language: EN-USfont-size:85%;" lang="EN-US" >"People are protesting against everything nowadays: Wall Street, Nuclear Energy, Reconstruction of main stations, Educational Systems, Politics. But if you’re always against everything you can’t move anything forward. If you just keep shouting<span style="font-weight: bold;font-size:130%;" > “No”</span> reasons will obliterate. Protesting has become a part of our event culture, it’s free time activity, it’s random.<br />It might be dangerous: If you’re filmed and registered as ‘potentially aggressive’. Or you can lose an eye to a water cannon. In some places you might even get arrested and simply disappear.<br /><br />But please... never stop protesting!<br />Show your opinion. Block. Discuss. Be part in something. Start thinking for yourself. Show. Shout. Be creative. Don’t stop changing the world."</span></p> <p class="MsoNormal" style="line-height: normal; font-style: italic;font-family:arial;"><span style=";font-size:85%;" lang="EN-US" >Von Cornelia von Schwerin</span></p><p class="MsoNormal" style="line-height: normal;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguYKnyuRgpo_Rhr65aP5Bc2pL4GCCd028zjo-6OPWtmLZ1TnV901WJNOwf9TnQQSrLXxeoTtoVfR4ms6oOVtwVkEsjqhW2mIDL0376oLpi_UAygVzgqiHv8fI9FHIPMu7TfIKivBq_1XM/s1600/PHOTO2_groupDS_2711.JPG"><img style="cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguYKnyuRgpo_Rhr65aP5Bc2pL4GCCd028zjo-6OPWtmLZ1TnV901WJNOwf9TnQQSrLXxeoTtoVfR4ms6oOVtwVkEsjqhW2mIDL0376oLpi_UAygVzgqiHv8fI9FHIPMu7TfIKivBq_1XM/s320/PHOTO2_groupDS_2711.JPG" alt="" id="BLOGGER_PHOTO_ID_5680824187499271906" border="0" /></a><span style="font-size:78%;"><br /></span></p><p class="MsoNormal" style="line-height:normal"><span style="font-size:78%;">In Social Fictions Lounge</span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguYKnyuRgpo_Rhr65aP5Bc2pL4GCCd028zjo-6OPWtmLZ1TnV901WJNOwf9TnQQSrLXxeoTtoVfR4ms6oOVtwVkEsjqhW2mIDL0376oLpi_UAygVzgqiHv8fI9FHIPMu7TfIKivBq_1XM/s1600/PHOTO2_groupDS_2711.JPG"></a></p> <span style="line-height:115%; Arial","sans-serif";mso-ansi-language:EN-USfont-family:";font-size:10.0pt;" lang="EN-US" ></span><span style="line-height:115%; font-family:"Arial","sans-serif";mso-fareast-mso-ansi-language: EN-USfont-family:Calibri;font-size:10.0pt;" lang="EN-US" ></span>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-59649618253527137512011-11-30T13:17:00.005+01:002011-11-30T15:59:52.128+01:00Angela Aux & Dobré<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGfZu4vnFFKqw12ro1-05hUoBAeuyGLCW7vyRhP5-Qs8-xcY3YtpuTyiabCBofSaCVtki8nhD6QOPfaX57JkG-Bv0w5t4fQqu-8CXYktKhR0WFa7BN8JSauliMkm0G1VdhtMQ8tJjW-54/s1600/AngelaDobre1.JPG"><img style="cursor:pointer; cursor:hand;width: 266px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGfZu4vnFFKqw12ro1-05hUoBAeuyGLCW7vyRhP5-Qs8-xcY3YtpuTyiabCBofSaCVtki8nhD6QOPfaX57JkG-Bv0w5t4fQqu-8CXYktKhR0WFa7BN8JSauliMkm0G1VdhtMQ8tJjW-54/s400/AngelaDobre1.JPG" alt="" id="BLOGGER_PHOTO_ID_5680767161410663586" border="0" /></a><br />Für ihn wurde eigens die Stilart "New Weird Bavaria" erfunden - Aber gestern zwischendurch auch ohne Loop-Station und Elektrobeat: Florian Kreier alias "Angela Aux".<br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYDkocEToPz7EQJXUDjm4Z22YCepGpinqhyaN30BHvW2cX7LuZk5Jl087vMiY23xHEk7Ysx7ZzPR2-ygzoIFwUzXaxcPB1LYKZjnKeZEJgjL8lr7V3080xuWAblTBkeraJTNi7yV3l6nM/s1600/AngelaDobre5.JPG"><img style="cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYDkocEToPz7EQJXUDjm4Z22YCepGpinqhyaN30BHvW2cX7LuZk5Jl087vMiY23xHEk7Ysx7ZzPR2-ygzoIFwUzXaxcPB1LYKZjnKeZEJgjL8lr7V3080xuWAblTBkeraJTNi7yV3l6nM/s400/AngelaDobre5.JPG" alt="" id="BLOGGER_PHOTO_ID_5680767164958031250" border="0" /></a><br />"Do the Dobrè" heißt das Album - Münchner Folk-Rock mit "Dobrè" und Frontmann Joe Dobroschke.<br /><br /><br />Es sei erwähnt: Das Fest ging weiter... mit wilden Rhythmen und Salsatänzen, bedingt durch unsere kolumbianischen Gäste! Kaum einer konnte sich noch auf seinem Platze halten, wippte und wackelte im dampfenden Café.<br /><br /><br /><br />Fotos: Simon EmmerlichMiriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-19900506157471248212011-11-29T17:57:00.010+01:002011-11-30T13:04:39.724+01:00(In)Visible Theatre<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgND5oYDvjGMoQoPFcB2GXsXB33ucERa4PUMz6QQkUioeVsJhm8eFaDho_bSEtAkIpMCavjxZuRM-MTtawkNgubxnOJZ1rQ97Mm9-GveEummTvGlrIUJem-cZcQEC5uLtetnU-N-tmKqRQ/s1600/Picture+9.png"><img style="cursor:pointer; cursor:hand;width: 400px; height: 225px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgND5oYDvjGMoQoPFcB2GXsXB33ucERa4PUMz6QQkUioeVsJhm8eFaDho_bSEtAkIpMCavjxZuRM-MTtawkNgubxnOJZ1rQ97Mm9-GveEummTvGlrIUJem-cZcQEC5uLtetnU-N-tmKqRQ/s400/Picture+9.png" alt="" id="BLOGGER_PHOTO_ID_5680489004694475682" border="0" /></a><br />Ein Polizeieinsatz wegen SPIELART? Ja, das war Freitagnachmittag der Fall. Obwohl Anna Estorriala und Johanna Ketola ihre Performances "Invisible Theatre" nennen, entdeckte die Polizeit die blau gekleideten Menschen auf dem Marienplatz, die Teil der öffentlichen Intervention waren. Sie falteten Decken, trugen schwer an ihren vielen blauen Einkaufstaschen und wedelten mit kleinen Fähnchen - auf dem Fischbrunnen stehend.<br />Mit diesen Alltagshandlungen, kaum bemerkbar, griffen sie jedoch ein in das rege Treiben des baldigen Christkindlmarktes, dessen Sicherheit durch künstlerische Darbietungen wohl nicht mehr gewährtleistet war. Trotz der 13 installierten Kameras und der Verstärkung der Einheiten.<br />So mussten die blauen Menschen von dannen ziehen.<br /><br />Der Film WITHIN zeugt von den verschiedenen Interventionen im öffentlichen Raum, bei denen lediglich verschiedene Farben, Orte und Routen festegelegt und so zu einer Choreografie von bunten Körpern wurden. Gelb im Englischen Garten. Grün im Schelling-Salon. Und Pink an der U-Bahnstation Max-Weber-Platz. Manchmal wirken sie schon wie aus einer anderen Welt, einer Utopie, in der alles noch in Ordnung ist. Und dann sind es doch nur wieder Alltagshandlungen, die manchmal etwas verrutschen und durch den Gestus des Farbigen auffallen.<br /><br /><span style="font-style: italic;">Von Miriam Althammer</span>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-29326205411154493032011-11-29T17:05:00.007+01:002011-11-29T17:55:24.250+01:00The sound of silence<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSQc1oL02gtz4IB-IAXie-XU5TpJSWQpGW4Troq3wlIqLUmwQw_IrHxNjFnPwxIHAiVyxNQbkPbnTHmDNIr34GMG2FvG-WaYNI_PPEOW8LNEcPJS03VtWx0bTdqYPP6-Cy9v3dXq2DLug/s1600/1.+Les+G%25C3%25A9om%25C3%25A8tres+%25C2%25A9Hippolyte+Hentgen.jpg"><img style="cursor: pointer; width: 272px; height: 205px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSQc1oL02gtz4IB-IAXie-XU5TpJSWQpGW4Troq3wlIqLUmwQw_IrHxNjFnPwxIHAiVyxNQbkPbnTHmDNIr34GMG2FvG-WaYNI_PPEOW8LNEcPJS03VtWx0bTdqYPP6-Cy9v3dXq2DLug/s320/1.+Les+G%25C3%25A9om%25C3%25A8tres+%25C2%25A9Hippolyte+Hentgen.jpg" alt="" id="BLOGGER_PHOTO_ID_5680451481214150194" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg02Lej_MEn8TGc9zwbM5pZsrHljFM46xm3zswHOFDZ3DLHDsrGpgQgXj8ENnwQeopGU5hgZLgSJJKsoGX4MCcrI2mnOyrDfVrxz3AZreH-rKnO9Dw0J5jiw60qjUGildQY5fxE5SLYT4M/s1600/2.+Les+G%25C3%25A9om%25C3%25A8tres+%25C2%25A9Hippolyte+Hentgen.jpg"><img style="cursor:pointer; cursor:hand;width: 320px; height: 203px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg02Lej_MEn8TGc9zwbM5pZsrHljFM46xm3zswHOFDZ3DLHDsrGpgQgXj8ENnwQeopGU5hgZLgSJJKsoGX4MCcrI2mnOyrDfVrxz3AZreH-rKnO9Dw0J5jiw60qjUGildQY5fxE5SLYT4M/s320/2.+Les+G%25C3%25A9om%25C3%25A8tres+%25C2%25A9Hippolyte+Hentgen.jpg" alt="" id="BLOGGER_PHOTO_ID_5680451488670334354" border="0" /></a><br /><span style="font-size:85%;"></span><span style="font-family: arial;font-family:arial;font-size:85%;" lang="EN-GB">The one thing you should never do before attending a performance is reading the programme. (But you are more than welcome to do it afterwards). This applies to “Les Géomètres” in particular. The way they play with scenery and props does suggest they are at home in the <span style="font-size:130%;"><span style="font-weight: bold;">visual arts</span></span> scene. You get a poetic view on <span style="font-size:130%;"><span style="font-weight: bold;">post-apocalyptic life</span></span> on Earth. And if we succeed to retain at least some of Hyppolite Hentgen’s inventiveness and sense of humour, there might still be hope for humanity, after all.</span><p class="MsoNormal" style="font-family:arial;"><span style="font-style: italic;font-size:85%;" lang="EN-US">Von Renad Melamed </span></p><p style="font-family: arial;font-family:arial;" class="MsoNormal"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>DE</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> 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mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--> </p><p class="MsoNormal" style="line-height: normal; font-family: arial;font-family:arial;"><span style="font-size:85%;"><span lang="EN-GB">Hippolyte Hentgen’s <i>Les Géomètres</i> looks like classical <span style="font-weight: bold;font-size:130%;" >avant-garde theatre</span> with the merging of actors and set decoration, and the attempt to unify visual and performative arts as done by Picasso and the Ballets Russes for the cubist theatre <i>Parade</i>. While this reference background applies to the inanimate <span style="font-size:130%;"><span style="font-weight: bold;">geometric objects</span></span> and the dancer representing the circle, the other figures – a six-handed man, a piece of chewed gum with furry feet, and a giant bear with flood lights for eyes – originate from the aesthetic of contemporary graphic novels. But the potential of this strong imagery has been relinquished by the eschewal of a narrative, the performance remaining static for the most part. </span></span></p><span style="font-family: arial;font-family:arial;font-size:85%;" > <span style="font-style: italic;">Von Katharina Knüppel</span></span><span style="font-family:arial;font-size:85%;"><br /></span><p class="MsoNormal" style="font-family:arial;"><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>DE</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> 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{mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--> </p><p style="font-family: arial;font-family:arial;" class="MsoNormal"><span style="font-size:85%;"><span style="mso-ansi-language:EN-US;color:black;" lang="EN-US"><br /></span><span style="" lang="EN-US">The lack of sound was the thing that spoke loudest to me. The<span style="font-size:130%;"><span style="font-weight: bold;"> silence</span></span> of the piece apart from the noise of the scenery and characters moving meant that I became very distracted through the performance wanting and needing sound to be made. 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locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"> <w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"> <w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"> <w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"> <w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"> <w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--></p><p face="arial" style="font-family: arial;" class="MsoNormal"><span style="font-size:85%;"><br /></span><span style="font-size:85%;"><span style="" lang="EN-US">The scene is a magnificent place where everything has a right to exist. To be realized. Paradoxically, freedom goes hand in hand with the limitations that arise as a result of drifting in a specific direction. The animation of matter on the scene intentionally initiates the creative process that they undertake. As a viewer, I am given a key to their world, to the newly explored dimension.<br /></span></span></p><p style="font-family: arial;font-family:arial;" class="MsoNormal"><span style="font-size:85%;"><span style="mso-ansi-language:EN-US" lang="EN-US"></span><span style="font-style: italic;" lang="EN-US"><span style="mso-tab-count:9">Von </span>Tomasz Urbański</span></span></p><p class="MsoNormal" style="font-family:arial;"><span style="font-size:85%;"><span style="font-style: italic;" lang="EN-US"><br /></span></span></p><span lang="EN-US" style="font-family:arial;font-size:85%;"></span><p class="MsoNormal" style="font-family:arial;"><span style="font-size:85%;"><span style="mso-ansi-language:EN-US" lang="EN-US">The actor who has six hands. The<span style="font-size:180%;"><span style="font-weight: bold;"> ugly, huge brain</span></span> which needs to contact with a mountain. The bear who takes care about others. The little dancer with a face full of hair. The paintings in the background... </span><br /></span></p><p style=" font-style: italic;font-family:arial;" class="MsoNormal"><span style="font-size:85%;"><span style="mso-ansi-language:EN-US" lang="EN-US">Von Iwona Rozbiewska</span></span></p><span lang="EN-US" style="font-family:arial;font-size:85%;"></span> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Times New Roman","serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US; mso-fareast-language:DEfont-family:";font-size:85%;color:#888888;" lang="EN-US"> </span></p> <p style="font-family: arial;" class="MsoNormal"> </p><p style="font-family: arial; font-style: italic;" class="MsoNormal"> </p><p class="MsoNormal"><br /><span style="" lang="EN-GB"></span></p>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-6096401610228142372011-11-29T16:49:00.005+01:002011-11-29T17:55:49.612+01:00SPIELART goes 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mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--> <p class="MsoNormal" style="text-align:justify"><span lang="EN-US" style="font-family:arial;">The work of God’s Entertainment is new and amusing. They take us into a journey beyond our imagination, making us to <span style="font-size:130%;"><span style="font-weight: bold;">participate </span></span>in their games and play. The audio-visual display is present throughout the performance giving us details of the story we are watching. The play is <span style="font-size:130%;"><span style="font-weight: bold;">fun </span></span>and entertaining which I believe it was their goal. They succeed! A</span><span lang="EN-US" style="font-family:arial;">s we feel so comfortable and willing to join, that we want more. Full of props and vivid colours that <span style="font-size:130%;"><span style="font-weight: bold;">enrich</span></span> the environment that they create for us. Simply and fast paced you travel, perform, and enjoy this exhilarant play. I recommended going and watching it at least twice, because they give you the opportunity to choose how to live this journey. </span></p><span style="font-family:arial;"> </span><p style="font-style: italic; font-family:arial;" class="MsoNormal"><span style="" lang="EN-US">Von Andres Parra</span></p><p style="font-style: italic;" class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNZknXBvkg_cehtQ2aGr42ZoscuTzTN1zaiZNofqQzvpz2kniFOEniW3hcQwxnco_tHRJ-NIAnIXUy7TRpaFBn7rlUmjedPXfJDPWGqwhWvmI0ab2QHpIpFleQAkWtv7ci2Apzk_uOYiI/s1600/GE_Trans-europa-bollywood_4_copyright+by+pet.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 134px;" 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Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} </style> <![endif]--> </p><p class="MsoNormal" style="text-align: justify; line-height: 150%; font-family:arial;"><span style="mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri; mso-bidi-mso-ansi-language:EN-USfont-family:Calibri;" lang="EN-US"><span style="mso-spacerun:yes"></span>As the title suggests, God’s Entertainment latest offering is a piece of intercultural theatre which seeks to expose our ‘tourist souls’. There were some interesting and concerted efforts to highlight our <span style="font-weight: bold;font-size:130%;" >unthinking cultural consumerism</span>: there were coke cans on the benches as we entered the space, free-flowing schnapps and snacks and the piece culminated in a coach ride to an Indian restaurant where we were treated to a free Indian feast. Despite these fragmented efforts, the piece did not do enough to undermine the blatant cultural stereotypes it represented. As a consequence this production felt much more like a <span style="font-size:130%;">Bollywood-themed fancy dress party</span>.</span></p> <p face="arial" style="font-style: italic; " class="MsoNormal"><span style="" lang="EN-US">Von </span><span style="mso-ascii-font-family:Calibri;mso-hansi-font-family:Calibri; mso-bidi-mso-ansi-language:EN-USfont-family:Calibri;" lang="EN-US">H. F. G. Gush<span style="mso-spacerun:yes"> </span></span></p>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-39409667456356223512011-11-29T13:53:00.000+01:002011-11-29T13:54:24.560+01:00SOCIAL FICTIONS, Videos - Armin Nassehi<iframe src="http://www.youtube.com/embed/kw1Y6WmTUgc" allowfullscreen="" frameborder="0" height="233" width="400"></iframe>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-60139003064051308172011-11-29T13:35:00.000+01:002011-11-29T13:35:41.719+01:00Ungeahntes utopisches Potential<span style=" ;font-family:Arial;font-size:11pt;" >Es scheint zunächst wie eine Hardcore-Version der letztes Jahr zum Theatertreffen eingeladenen Theateradaption von Ettore Scolas Film <a href="http://www.nachtkritik.de/index.php?option=com_content&view=article&id=3748%3Adie-schmutzigen-die-haesslichen-a-die-gemeinen-karin-beiers-tonloses-armutstableau-nach-scola&catid=84&Itemid=40" target="_blank"><span style=" text-decoration: none;color:windowtext;" >Die Schmutzigen, die Häßlichen und die Gemeinen</span></a>, was der japanische Regisseur Daisuke Miura in seiner bereits 2006 in Japan uraufgeführten und jetzt im Rahmen der Festwochen gezeigten Inszenierung "</span><span style=" ;font-family:'Arial Unicode MS';font-size:11pt;" >夢の城</span><span style=" ;font-family:Arial;font-size:11pt;" >" ("Castle of Dreams") in eine guckkastenähnliche Bühne gebracht hat: Schonungslos und explizit ficken, prügeln und bedröhnen sich diese acht jungen Menschen in einem praktisch nicht mehr zu überbietenden Naturalismus (samt männlicher und weiblicher Ejakulationen) und erzeugen so binnen weniger Minuten ein desolates Bild menschlicher Abgründe voll Leere, Einsam- und Sinnlosigkeit.</span><br /><span style=" ;font-family:Arial;font-size:11pt;" >Anders als die Scola-Inszenierung von Karin Beier zieht Daisuke Miura diesen scheinbaren Naturalismus von Anfang bis Ende der Inszenierung allerdings konsequent durch, lediglich unterbrochen von musikuntermalten Blacks, die Zeitsprünge suggerieren. Dank dieser formalen Konsequenz entstehen so beim Betrachter überraschende Gefühle der Faszination; nicht jener allzu bürgerlich-distanzierten Faszination für das Ekelhafte und Widerwärtige, sondern der Faszination für ein ungeahntes utopisches Potential, das dem Treiben auf dieser Bühne innewohnt.</span><br /><span style=" ;font-family:Arial;font-size:11pt;" >Das sich aller Relationen entziehende Große an diesem Abend ist der konsequente Verzicht auf jedwede Form eines moralisierenden Zeigefingers – egal in welche Richtung er auch zeigen möge. So – und nur so – findet die Inszenierung auf ganz wundersame Weise so etwas wie eine Schönheit im Häßlichen, eine Geborgenheit im Abstoßenden; indem aus all den präzise choreographierten kleinsten Gesten, den banalsten Geräuschen, dem alltäglichsten Licht – aber ebenso den Ausbrüchen, den plötzlichen Entladungen, dem Aufbegehren – eine Komposition entsteht, die gerade aufgrund ihrer (scheinbaren) Natürlichkeit durch den "unbeteiligten", voyeuristischen Theaterblick des Kunst-Rezipienten so überhöht, so künstlich wird, daß hier die Sicht auf ein Dahinter, ein Jenseits der geschlossenen, reproduzierenden Oberfläche frei wird. Dieses Dahinter sind nichts weniger als die bereits im Titel erwähnten Träume; nichts weniger als die Ahnung von einer anderen Möglichkeit des Daseins, vielleicht sogar von der Gesamtheit aller anderen Möglichkeiten und nicht zuletzt auch von der Gemeinsamkeit all dieser anderen Möglichkeiten: nämlich der Sehnsucht des Menschen und seinem Streben nach Sinn.</span><br /><span style=" ;font-family:Arial;font-size:11pt;" >Kai Krösche, <a href="http://www.nachtkritik.de/index.php?option=com_content&view=article&id=5723%3Acastle-of-dreams-&catid=127&Itemid=40">nachtkritik</a></span>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-40603695666871254032011-11-29T13:33:00.005+01:002011-11-30T16:36:11.845+01:00The father and the son<span style="font-size:130%;"><span style=" Arial","sans-serif";" lang="EN-US"><span style="font-family: arial;">Impressions of the students</span><br /><br /></span></span><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-style: italic; font-family:arial;"><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">Von <span style="mso-bidi-font-style: italic">Federica Pamio </span></span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US"> “You’re my shepherd. You are not my shepherd” </span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US">In my opinion, it is the <span style="font-size:100%;"><span style="font-weight: bold;">doubt</span></span> that allows men to feel alive. Asking questions, questioning everything, even the strongest and firmest reality, including oneself…so that ru</span><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">les and banalities, as well as certainty and conformism, can’t overcome you.</span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">It has all already been created, decided, shaped… so what’s left to us nowadays?</span></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">Romeo Castellucci’s performance aroused me these remarks. Among the 4 performance I’ve seen, this is the one I <span style="font-family: arial;">liked the most.</span></span><span style="font-family: arial;font-family:";font-size:85%;" lang="EN-US">For the shameless hyperrealism brought on stage, for the </span><span style="font-family: arial;font-size:85%;" ><span style="font-size:100%;"><span style="font-weight: bold;">acrid smell</span></span> that “could not be true”, for the grenades’ noise thrown by “innocents to an innocent”, for the magnificent reproduction of the Antonello da Messina’s painting disfigured and humiliated.</span></p><span style=" Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US"></span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-style: italic;font-size:85%;" ><span style="Arial","sans-serif";font-family:";" lang="EN-US"><br /></span></span></p><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-style: italic;font-size:85%;" ><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DE;mso-bidi-font-style:italicfont-family:";" lang="EN-US">Von Christopher Jones</span></span></p> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">Fæder ūre, þū þe eart on heofonum… </span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US"><span style="font-weight: bold;">Shit</span> stained sofa. </span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">Shitsmell fills the theatre, and the face of the audience contorts </span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">Tenderly, a son tends his father, his cre</span></span><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">ator.</span></span> </p><span style="font-family:arial;font-size:85%;"></span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">Requiem æternam dona eis, Domine</span></span></p> <span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">A memory.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">Exchanging fluids – the closest relationship.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">Sex and death and<span style="font-weight: bold;font-size:130%;" > death and sex</span>. All here.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">on eorðan swā swā on heofonu</span></span><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">m.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">And we rage against what we can’t touch, can’t sense.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">What we can’t change.</span></span></p> <span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">What we seek to destroy.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">Ideas don’t die. And still the face o</span></span><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">f TJ Eckleburg</span></span><span style="font-size:85%;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";" lang="EN-US">, the face of God, staring, impassive.</span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US">The father, and the son. </span></span></p><span style="font-family:arial;font-size:85%;"> </span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US"> <span style="font-weight: bold;">Amen</span></span></span></p><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><span style="Arial","sans-serif";font-family:";" lang="EN-US"><span style=""><br /></span></span></span></p> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US"> </span></p> <p class="MsoNormal" style="line-height: normal; font-style: italic;font-family:arial;"><span style=";font-size:85%;" lang="EN-US">Von Vera Gertz</span></p><span style="font-family: arial;font-family:";font-size:85%;" lang="EN-GB">One of the most striking scenes to me was the<span style="font-size:100%;"> children</span> throwing hand grenades at the canvas depicting Jesus’ face. The sound of the exploding grenades is massive and soon drowns out almost everything else – even the sound of a game of indoor basketball.</span><p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="font-size:85%;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="font-family: arial;" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrAknp9SU55Qs1SPqF3uDTpqEnGv12PkwbyKDhp8FXtxGTxS4Y_1PVFvrr_skjIJCuE-FYLjq7sVmkPufNQvTrogWJc-38Y67-0dSq414XcamS6PllgR6QsyqdanJ4ZE80bBcQgyFpEM/s1600/Castellucci_On+the+concept_4_c_klaus_lefebvre.jpg"><img style="cursor:pointer; cursor:hand;width: 200px; height: 139px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrAknp9SU55Qs1SPqF3uDTpqEnGv12PkwbyKDhp8FXtxGTxS4Y_1PVFvrr_skjIJCuE-FYLjq7sVmkPufNQvTrogWJc-38Y67-0dSq414XcamS6PllgR6QsyqdanJ4ZE80bBcQgyFpEM/s200/Castellucci_On+the+concept_4_c_klaus_lefebvre.jpg" alt="" id="BLOGGER_PHOTO_ID_5680436273262239234" border="0" /></a></span></p> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US"> </span></p><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US"><span style="font-style: italic;">Von Elena Carr</span><br /></span> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-GB">I was impressed by the play Castellucci. It was the first time, I saw such an intelligent and sensitive peace about an religious field.</span><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-GB;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-GB"> The human reincarnation of god, that lived over 2000 years ago, to spread his <span style="font-size:100%;"><span style="font-weight: bold;">message to the world</span></span>, was discussed in the play in the perspective of our time in 2011. </span></p> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-GB">The picture, that was treated by the actors was there like a permanent watcher, in the end we saw the picture destroyed by humans. But they did not destr</span><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-GB">oy Jesus, it was an altercation with him and what the Christian church did with him.</span></p> <p class="MsoNormal" style="line-height: normal; font-family:arial;"><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US"> </span></p> <p class="MsoNormal" style="line-height: normal; font-style: italic; font-family:arial;"><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US">Von Philipp Watkinson</span></p> <p class="MsoNormal" style="text-align: justify; line-height: 150%; font-family:arial;"><span style="line-height: 150%; Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US">The effect of Castellucci's piece was not unlike that which I had experienced from watching the plays of Samuel Beckett Eugene Ionesco. Like Theatre of the Absurd, the piece presented an exploration of the bleakness of the <span style="font-size:100%;"><span style="font-weight: bold;">human condition</span></span> and the ultimate failure of human beings. This was explored and explicated not through </span><span style=" line-height:150%;Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">absurdity, nonsense and surreal situations but through a form of hyper-reality and <span style="font-size:100%;">naturalism</span>. </span></p> <p class="MsoNormal" style="text-align: justify; line-height: 150%; font-family:arial;"><span style=" line-height:150%;Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US"> </span></p> <p class="MsoNormal" style="text-align: justify; line-height: 150%; font-style: italic; font-family:arial;"><span style=" line-height:150%;Arial","sans-serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:85%;" lang="EN-US">Von Mateusz Wojtasinski</span><span style=" Arial","sans-serif";font-size:85%;" lang="EN-US"><br /></span></p><p class="MsoNormal" style="text-align: justify; line-height: 150%; font-family:arial;"><span style="Arial","sans-serif";font-family:";font-size:85%;" lang="EN-US">The Romeo Castelluci spectac</span><span style="Arial","sans-serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-US;mso-fareast-language: DEfont-family:";font-size:85%;" lang="EN-US">le „On the concept of the face regarding the son of god” looked at first like something very shocking. But it turned out to be a nice work using many effective tricks. <span style="font-weight: bold;font-size:130%;" >Protests</span> against this spectacle are futile because it’s not a theoretical insult to God but it depends on every audience how they are going to see it. The shocking finish was just a good way to show how people respect the person of the Lord.</span> </p><p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto; line-height:normal"><span style="font-size:85%;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="font-family: arial;" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkA-cEIT1pZuPapZ7HCkmVIlVEHEWembwo0pc38b1_kObTAgFittfF2FtGWQafKff6lv6o7sPEMce2SDQmm9BOu6ES3WQ9xDdD9sItZTbgcb1Lz9qWlvHnhnWaW_ygfLynDhyphenhyphen4U4Mg0I/s1600/Castellucci_On+the+concept_1_c__klaus_lefebvre.jpg"><img style="cursor:pointer; cursor:hand;width: 132px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkA-cEIT1pZuPapZ7HCkmVIlVEHEWembwo0pc38b1_kObTAgFittfF2FtGWQafKff6lv6o7sPEMce2SDQmm9BOu6ES3WQ9xDdD9sItZTbgcb1Lz9qWlvHnhnWaW_ygfLynDhyphenhyphen4U4Mg0I/s200/Castellucci_On+the+concept_1_c__klaus_lefebvre.jpg" alt="" id="BLOGGER_PHOTO_ID_5680436265276332962" border="0" /></a></span><br /><span style="font-size:100%;"><span style="font-family:"Times New Roman","serif"; mso-fareast-Times New Roman";mso-ansi-language:EN-GB;mso-fareast-language: DEfont-family:";font-size:12.0pt;" lang="EN-GB"></span></span><span style=" font-family:"Times New Roman","serif";mso-fareast-Times New Roman"; mso-ansi-language:EN-US;mso-fareast-language:DEfont-family:";font-size:12.0pt;" lang="EN-US"></span></p>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-4087942861946883582011-11-29T12:46:00.002+01:002011-11-29T12:48:21.556+01:00SPIELARTEN – PERSPEKTIVEN AUF GEGENWARTSTHEATER<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnAURt6AgoKBq7jyOkAZey0I8ZAqPfENWh3nJUWC4x7eDldAdVItuza-7c776kXOZTbD3FJfuP-dS4u9cAvZX7qTaSokGzMJJR9Ux08dQvSObwtPS2u6KLzMqh5vtaOiiMEGlmb52rpbmo/s1600/cover.jpg"><img 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Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> Ausgehend vom diesjährigen SPIELART-Programm werden hier in 16 Essays die Theaterdiskurse der Gegenwart unter die Lupe genommen. Anhand der Arbeiten von Romeo Castellucci, Gisèle Vienne, Christoph Schlingsief, Rimini Protokoll uva. wird Theater als ästhetische, soziale und politische Institution reflektiert. <p class="MsoNormal">Darüber hinaus finden sich ausführliche Interviews mit Romeo Castellucci und Gisèle Vienne, die über ihre diesjährigen Arbeiten sprechen, sowie ein Gespräch über Utopien in der Kunst mit Julian Nida-Rümelin, dem Präsidenten der Deutschen Gesellschaft für Philosophie.</p> <p class="MsoNormal">Der Essayband zum Festival 2011 ist nur noch diese Woche zum Vorzugspreis für 5,- Euro zu haben. Der Verkauf findet an sämtlichen Spielstätten statt.</p>Anke Hellmannhttp://www.blogger.com/profile/03612646816574067230noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-59908005413382452022011-11-28T18:12:00.001+01:002011-11-30T13:06:09.259+01:00Heute bin ich Dodo... Oder Alex oder doch lieber Cay!<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfmdbczVpNqNEtSNMKCaEU-XXQiMOdzWzBjTRiXKKSV08xohWrHi_o2td4J8UzTUJHFhUiQCa-K71xo77ea1H1xQrAd4bkfz5J6CZD3d0qILQrbcZfAMICvVNd0kJ0EqmLgJkn7V7B2Ww/s1600/500.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 320px; height: 275px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfmdbczVpNqNEtSNMKCaEU-XXQiMOdzWzBjTRiXKKSV08xohWrHi_o2td4J8UzTUJHFhUiQCa-K71xo77ea1H1xQrAd4bkfz5J6CZD3d0qILQrbcZfAMICvVNd0kJ0EqmLgJkn7V7B2Ww/s320/500.jpg" alt="" id="BLOGGER_PHOTO_ID_5680095481979247298" border="0" /></a>Fünf Personen schlüpfen in eine Rolle, tauschen ihre Identität mit Kopfhörern. Vor ihnen steht ein Fernseher, aus dem ein lustiges Guru-Gesicht mal Instruktionen gibt, mal mit väterlicher Stimme ihre Probleme <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpUftmVNS116nb07L3hh6kbxpi4Wiutp21HfnLUl-gPF3SZA5KAMjxJepQbQn9LPHwtgsOwZnGX16_SasaxiH_-F9GcvnfXs0tPlqBYEGUhAabyJdstukUbGr1sZsTyHKK79kAEwPDPvI/s1600/1217200933720PM_guru_guru_stubdog.jpg"><img style="float:right; margin:0 0 10px 10px;cursor:pointer; cursor:hand;width: 150px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpUftmVNS116nb07L3hh6kbxpi4Wiutp21HfnLUl-gPF3SZA5KAMjxJepQbQn9LPHwtgsOwZnGX16_SasaxiH_-F9GcvnfXs0tPlqBYEGUhAabyJdstukUbGr1sZsTyHKK79kAEwPDPvI/s320/1217200933720PM_guru_guru_stubdog.jpg" alt="" id="BLOGGER_PHOTO_ID_5680095488426266658" border="0" /></a>kommentiert. <p class="MsoNormal">Als Zuschauer oder besser Mitakteur muss man jedoch keine Angst vor der interaktiven Situation haben. Man sitzt gemütlich auf seinem Stuhl und eine Stimme flüstert einem jede Handbewegung, jedes Wort ins Ohr. 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mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]-->Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-20144351712871050572011-11-28T10:41:00.007+01:002011-11-28T10:46:04.030+01:00CONNECT CONNECT - Talks<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" 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src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4cNCXKT-Yn63NVGSbOKdZlhKVk7b3lmtZI4QvF0caNlSeNouXwj27ykxXjmRgRpmtxk_2A9sheQCzXMoxRWvE_ObMTLUeS1G8a1VMRGHLvdGMbUd1-L8ATjZSeKbty9eo1AqcDrN_Qguk/s320/DSC_5198+Kopie+mail.jpg" alt="" id="BLOGGER_PHOTO_ID_5679979758421534594" border="0" /></a>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-12446439801356386272011-11-28T10:36:00.005+01:002011-11-28T10:38:28.436+01:00DO TANK - Soul Selling<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOwmGj8hPdap6teiydI9DusqdgXNN3tBr0tjR25egnhAb4ApwN7LNZaIL7CSzUNfN6rnFxatm7WSjk50DBDiG9BOxHMydvaibA28iELYxMVHRT5vQOrEAmVXmKGrDWEh3lGSaDCvN5BrGG/s1600/DSC_5071+Kopie+mail+2.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" 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href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUdchNo574Yu8BBgWh1naVl8sFfBII96Vi-gF3lBpycyUALMhW-P944DyX1YX5dm53_TKJ06N2BFIdA6BuevcRtINnSTnCDU4ez88Q1Q5WNYPuc7Ew0YHpvwN0TSQJ4Egd5xjxQGIZUPbU/s1600/DSC_4995+Kopie+mail.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 213px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUdchNo574Yu8BBgWh1naVl8sFfBII96Vi-gF3lBpycyUALMhW-P944DyX1YX5dm53_TKJ06N2BFIdA6BuevcRtINnSTnCDU4ez88Q1Q5WNYPuc7Ew0YHpvwN0TSQJ4Egd5xjxQGIZUPbU/s320/DSC_4995+Kopie+mail.jpg" alt="" id="BLOGGER_PHOTO_ID_5679978361343405698" border="0" /></a>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-49133533138110403182011-11-28T10:26:00.008+01:002011-11-28T10:35:53.845+01:00DO TANK - Nursery<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" 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href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMrYGQOxc-hnyTsOnRBtx2IfOXVgJSwGFmPUB2_qXiydZQdrfkYYyDnnt3HpOqUbscpbQGOoaLpEE86wFnkyeEB4S1M2ZdyyweG3QqKSt-9ryEa5H73r4YES8E3d0q73J5vqxL2qBXV7X/s1600/DSC_5123+Kopie+mail.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSMrYGQOxc-hnyTsOnRBtx2IfOXVgJSwGFmPUB2_qXiydZQdrfkYYyDnnt3HpOqUbscpbQGOoaLpEE86wFnkyeEB4S1M2ZdyyweG3QqKSt-9ryEa5H73r4YES8E3d0q73J5vqxL2qBXV7X/s320/DSC_5123+Kopie+mail.jpg" alt="" id="BLOGGER_PHOTO_ID_5679975872583200434" border="0" /></a>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com1tag:blogger.com,1999:blog-5529604300761689914.post-77374266372027631992011-11-28T10:14:00.003+01:002011-11-28T10:21:20.964+01:00DO TANK - WITHIN<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" 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id="BLOGGER_PHOTO_ID_5679972881696033266" border="0" /></a>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-2732365227424308112011-11-28T10:12:00.001+01:002011-11-28T10:12:53.173+01:00DO TANK # 8<!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt; font-family:Calibri">„Ein guter Forschungsbericht, schreibt Bruno Latour, zeichnet ein Netzwerk nach. DON’T HOPE berichtet von Gesprächen mit Bewohnern eines Altersheimes, in denen mehr Weisheiten zum Vorschein treten, als man gemeinhin annimmt. Das Stück erzählt in erster Linie von dieser Forschung, ist dabei Entwurf und präsentiert unaufgearbeitete Interviews – was einen erst recht verblüfft, wenn man das weiß. Vielleicht ist es eher eine erste Sammlung von Karteikarten, die im fahlen Licht eines allzu sehr an Schule erinnernden Sitzkreises immer wieder neu vor einem aufgelegt, vorgelesen, neu gemischt und wieder sortiert werden. Die Feldforscher müssen sich erst noch durch den Dschungel ihres Materials kämpfen und suchen tapfer weiter. </span></p> <p class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt; font-family:Calibri">Beim SOCIAL FICTIONS Symposium konnte man hingegen eine ganze Reihe von fertigen Forschungsberichten sehen und hören. Ob sie Netzwerke nachzeichnen, lässt sich gar nicht beurteilen, denn die Erzählungen dieser tollen Künstler und Wissenschaftler im Vortragssaal bleiben seltsam entkoppelt von ihren Sozialen Verknüpfungen. Das ist besonders schade für den geneigten Zuhörer, denn gerade das Multimedium Theater wäre besonders geeignet diese Netzwerke nicht nur abstrakt nachzuerzählen – eine Kunst, die niemand in der akademischen Sprache so beherrscht wie Latour selbst – sondern ihre vielfältigen Materialien zu verknüpfen. (Die große Ausnahme sind Wu Wenguang und Rabih Mroué, bezeichnenderweise der erste und letzte Vortrag des Tages, die von nichts anderem Sprechen, als von den Kanten, die sie zu den Hungernden der Kulturrevolution und den Unterdrückten des arabischen Frühlings in Syrien zu knüpfen versuchen.) </span></p> <p class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt; font-family:Calibri">Das ist vielleicht die Chance und auch die kollektive Aufgabe unseres DO TANK für die kommende Woche. Wir haben die einmalige Möglichkeit mehr tun zu können, als nur eine abstrakte Beschreibung für eine Leserschaft zu liefern, wir können die Netzwerke nicht nur nachzeichnen, <a name="_GoBack"></a>sondern gleichzeitig mit ihrem jeweiligen Sozialen produzieren. Ein guter Feldforscher ist gleichzeitig Teilnehmer und Beobachter. Im DO TANK müssen wir und unsere Teilnehmer/Zuschauer/Zaungäste/Besucher gleichzeitig Anthropologen und Dorf sein. Was also tun? Vielleicht theatralische Ökologie</span><span style="font-family:Calibri">.“</span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Calibri"></span></p> <p class="MsoNormal"><span style="font-family:Calibri"> </span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt; font-family:Calibri;mso-bidi-font-family:Helvetica;mso-bidi-font-weight:bold">Einverstanden, Gero.</span></p>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-12591702901567844682011-11-28T10:10:00.001+01:002011-11-28T10:11:18.885+01:00DO TANK # 7<!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal"><span style="font-family:Calibri;mso-ansi-language: EN-US" lang="EN-US">Following the daily reports and updated schedules from Montreal, DO TANK seemed relatively easy to grasp. Information was nicely filtered and abstracted not risking risky entanglements. Having arrived in Munich, everything reveals itself as pure noise, chaotic attempts to successfully establish communication and multiple things happening simultaneously. Katrin, these are serious attacks on my perceptive tools! How much more confusing must one single glance into the world “as it really is” be, how unprepared are we for enduring direct access to the irreductions we are actually seeking? </span></p> <p class="MsoNormal"><span style="font-family:Calibri;mso-ansi-language: EN-US" lang="EN-US">Only now I understand what an effort the erection of laboratories, their mechanisms of abstraction and processing really is. I am not sure if we are able to bring method to this madness, but thankfully our forefathers have relieved us from much toil, though we are seldom grateful enough. While I do not wish to repeat their epistemological aberrations, I start to understand the sheer size of Latour’s non-modern project. </span></p>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-72693014591106307292011-11-28T10:08:00.001+01:002011-11-28T10:09:30.430+01:00DO TANK # 6<!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><b style="mso-bidi-font-weight:normal"><span style="font-family:Calibri;mso-bidi-font-family:Helvetica;mso-fareast-language: DE">Stand der Dinge</span></b></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-family:Calibri;mso-bidi-font-family: Helvetica;mso-fareast-language:DE"> </span></p> <p class="MsoNormal"><span style="font-family:Calibri">Das Labor produziert die Fakten, liebe Katrin, so ist es nun einmal. Der DO TANK ist da auch keine Ausnahme sondern Beispiel und ich glaube, man sieht langsam das Netzwerk aus dem Kunstwerk herauswachsen, es verwurzeln und überranken. VERBASCUM spricht von einem nicht-menschlichen Akteur und seinen sozialen Einbindungen, die letztlich aber unabschließbar bleiben, weil diese Pflanzen und ihre Samen vielleicht alles und jeden überdauern, der an der Herstellung dieser Relationen beteiligt ist. WITHIN verwendet Farben als Kontrastmittel – fast wie Latour seine Begriffsarbeit – und zeichnet auf dem Marienplatz, im Englischen Garten, im Schellingsalon und am Max-Weber-Platz Bezüge nach, die immer schon da waren, aber meist verdeckt bleiben. Der Dampf im Müllerschen Volksbad entblößt und verhüllt die Teilnehmer von NACHTBLAU, er schmiedet einen seltsam durchlässigen Schleier und hält sich doch dezent im Hintergrund. Ich glaube, das Dazwischen müssen wir gar nicht erst konstruieren, es war immer schon da und es gilt eigentlich nur es sichtbar zu machen. Das leistet aber nicht einmal wirklich unsere Metasprache, sondern der begrenzte Kosmos einer kollektiven Forschungsarbeit, der wie in einer Petrischale die Bakterien und Viren erst durch ihre Struktur erkennbar werden lässt. </span></p> <p class="MsoNormal"><span style="font-family:Calibri">Wir sollten uns heute noch mit Bakterien beschäftigen. Und mit Laboratorien. </span></p> <p class="MsoNormal"><span style="font-family:Calibri"> </span></p> <p class="MsoNormal"><span style="font-family:Calibri">Gruß,<br />Gero<a name="_GoBack"></a></span></p>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-26385879367191860162011-11-28T10:05:00.002+01:002011-11-28T10:07:03.681+01:00DO TANK # 5<!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:hyphenationzone>21</w:HyphenationZone> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> </w:Compatibility> <w:browserlevel>MicrosoftInternetExplorer4</w:BrowserLevel> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="156"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} </style> <![endif]--> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><i style="mso-bidi-font-style:normal"><span style="font-size:10.0pt;mso-bidi-font-family:Calibri; mso-bidi-mso-fareast-language:DEfont-family:Helvetica;font-size:12.0pt;" >Das Labor ist betriebsam. Die Ideen wuchern. Unsere Gruppe erweitert sich.<br />Brauchen wir Vorgaben, eine Struktur, um das Gedachte wirksam zu machen? </span></i></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-size:10.0pt;mso-bidi- font-family:Calibri;mso-bidi-mso-fareast-language:DEfont-family:Helvetica;font-size:12.0pt;" > </span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><b style="mso-bidi-font-weight:normal"><span style="font-family:Calibri;mso-bidi-mso-fareast-language: DEfont-family:Helvetica;" >These 4) Das Soziale beginnt mit Regeln, die Fakten schaffen</span></b></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><i><span style="mso-bidi-mso-fareast-language:DE;font-family:Cambria;font-size:16.0pt;" > </span></i></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none; text-autospace:none"><span style="font-size:11.0pt;mso-bidi- font-family:Calibri;mso-bidi-mso-fareast-language:DE; mso-bidi-font-style:italicfont-family:Cambria;font-size:16.0pt;" >„Du suchst das Gespräch mit den Anderen und teilst mit ihnen deine Gedanken. Du berichtest anderen Leuten von unserem Workshop. Um deine Ideen zu präsentieren, trägst du dich in die Liste ein und reklamierst deine Redezeit. Es gibt keine vorbereiteten Präsentationen und keine Touristen. Präsentationen dauern so lange wie sie müssen, aber niemals länger als bis zur nächsten Präsentation. Wenn du das erste Mal teilnimmst, MUSST du präsentieren (wobei natürlich niemand gezwungen wird, aber du solltest dich zumindest mit jemandem zusammentun, der präsentieren möchte, Fragen stellen und aktiv dabei sein). Der Workshop läuft solange er muss, aber nicht länger als alle Teilnehmer weitermachen wollen.“</span></p>Sophie Beckerhttp://www.blogger.com/profile/05765059752767370136noreply@blogger.com0tag:blogger.com,1999:blog-5529604300761689914.post-60607683062085922022011-11-27T19:42:00.007+01:002011-11-30T13:06:39.986+01:00Bekehrung<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh32RfAkluOXiHCX4X5E7dHqSAN43xEyHtqQ-sojOlH02Wfif-vxbnIIsMUUR602vBFCf5JitDYYppQpzbbb36hIw3TB2rhEZKyaFNB_DTVM2zuzHtVPF5pWm-7Xs8d2I5B7ofpa3NLwy8/s1600/Castellucci.jpg"><img style="cursor:pointer; cursor:hand;width: 222px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh32RfAkluOXiHCX4X5E7dHqSAN43xEyHtqQ-sojOlH02Wfif-vxbnIIsMUUR602vBFCf5JitDYYppQpzbbb36hIw3TB2rhEZKyaFNB_DTVM2zuzHtVPF5pWm-7Xs8d2I5B7ofpa3NLwy8/s320/Castellucci.jpg" alt="" id="BLOGGER_PHOTO_ID_5679754205602738402" border="0" /></a><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgErYw-caqa0jj3J1JdE3jPmaBpS3nP-iAaZ1tda3iZ27dPo1EoPc-FcJFuwHEifYexEBgeRIPyOWepMCEq6FAjcPfNfXOqyY8wDv_EKEi0CrJSfgGNxC_gNiefUbjQd8yIgsOkt_43k5g/s1600/Castellucci_On+the+concept_2_c__klaus_lefebvre.jpg"><img style="cursor:pointer; cursor:hand;width: 210px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgErYw-caqa0jj3J1JdE3jPmaBpS3nP-iAaZ1tda3iZ27dPo1EoPc-FcJFuwHEifYexEBgeRIPyOWepMCEq6FAjcPfNfXOqyY8wDv_EKEi0CrJSfgGNxC_gNiefUbjQd8yIgsOkt_43k5g/s320/Castellucci_On+the+concept_2_c__klaus_lefebvre.jpg" alt="" id="BLOGGER_PHOTO_ID_5679753835822817570" border="0" /></a><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEjsTgXAh7p5JIZ9cotVSVh61F2iRvMzOhUBviHTLhvJAsgEy5vMq8-XLFzYbUdwavZCbjM-bSNaNr5gl5BIDcrpLuX9XjffMzfUvUv2bBcswDLxH7O2p2XuIaYG_gCAyAx3Pmli6J4oo/s1600/Castellucci.jpg"> </a><br /><br />Unauffällig stehen sie in der Ecke und murmeln. Erst wenn man näher tritt, erkennt man den Rosenkranz in ihrer Hand und fängt böse Blicke ein. Das Unverständliche wird zu Gebetsworten. Doch nein, sie gehören nicht zum Konzept des Theaterstücks, das am Wochenende in den Kammerspielen gezeigt wurde. Sie protestieren "gegen die unaussprechlich gemeine Lästerung ihres Herrn Jesus Christus durch das Theaterstück<span style="font-style: italic;"> Gottes Sohn</span>!", so steht es auf ihrem Flugblatt.<br /><br />Wer aber statt zu urteilen, das Stück Romeo Castelluccis besucht, wird feststellen, dass es durch und durch christlich ist. Wie berührend, denn nicht wenige Zuschauer sprechen nach der Vorstellung von Tränen in den Augen. Wie stark und bildgewaltig. Wie überwältigend.<br /><br />Und so kann man den friedlichen Protesten nicht treffender entgegnen: "Ein Bild ist ein Bild ist ein Bild."<br /><br /><span style="font-style: italic;">Von Miriam Althammer</span>Miriam Althammerhttp://www.blogger.com/profile/13796633383897600706noreply@blogger.com0